Названия альбома: Невидимая нить / The Invisible Thread / Il filo invisibile
Исполнители / Композиторы: Pivio, Aldo De Scalzi Год выпуска альбома: 2022
Год выхода фильма: 2022
Жанр: Score
Количество треков: 25
Длительность звучания: 00:36:19
Носитель: Digital Release ( available as download )
Количество носителей: 1 x
CD ( Digital Media )
Издатель ( лейбл ):
I dischi dell'Espleta
Lossless аудио формат: FLAC ( tracks )
Свойства аудио: 2 channels / 16 bit / 44.1 kHz
Размер архива: ≈ 196 МБ ( добавлена информация для восстановления )
Треклист
01. Pivio, Aldo De Scalzi - Il filo invisibile 02. Pivio, Aldo De Scalzi - Goodbye Shame 03. Pivio, Aldo De Scalzi - Dal letto al laboratorio 04. Pivio, Aldo De Scalzi - Ospitale 05. Pivio, Aldo De Scalzi - Andare o no 06. Pivio, Aldo De Scalzi - Bacio del fratello 07. Pivio, Aldo De Scalzi - Climbing 08. Pivio, Aldo De Scalzi - Dede 09. Pivio, Aldo De Scalzi - Inadeguai 10. Pivio, Aldo De Scalzi - Intro al filmato scolastico 11. Pivio, Aldo De Scalzi - Intermezzo psichedelico 12. Pivio, Aldo De Scalzi - Se ne vanno tutti 13. Pivio, Aldo De Scalzi - Ruskow 14. Pivio, Aldo De Scalzi - Brutta caduta 15. Pivio, Aldo De Scalzi - Matrimonio arcobaleno 16. Pivio, Aldo De Scalzi - La rabbia di Leone 17. Pivio, Aldo De Scalzi - Leone sbrocca 18. Pivio, Aldo De Scalzi - Messaggi dall'amante 19. Pivio, Aldo De Scalzi - Finale del bagno 20. Pivio, Aldo De Scalzi - Valzer arcobaleno 21. Pivio, Aldo De Scalzi - Primo bacio 22. Pivio, Aldo De Scalzi - Nascita di Leone 23. Pivio, Aldo De Scalzi - L'eros va in vacanza 24. Pivio, Aldo De Scalzi - Disco Pool 25. Pivio, Aldo De Scalzi - You and Me
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I don't care what people say about this movie. I love it! And it's for me the second best score of the X-Men franchise, being "X-Men: First Class" the best. The film's director Brett Ratner invited John Powell to write the music for being a fan of Powell's work in The Bourne Identity. Powell included references to the score from the previous two films. The second track "Bathroom Titles" is an explosion of violent percussion in the form of Danny Elfman's Planet of the Apes soundtrack. Actually, Powell's style is a noticeable mixture of Elfman and John Williams (especially their Spider-Man and Superman soundtracks, respectively).
filmtrack review declares: "Fantastic in its thematic development, relentless pacing, and complex orchestration, this score sounds like its franchise predecessors on steroids."
Highlights: Bathroom Titles Whirlpool Of Love Rejection Is Never Easy Entering The House Dark Phoenix's Tragedy - this one is really impressive! Farewell To X The Funeral Building Bridges Shock And No Oars Massacre Phoenix Rises
Елизавета: Золотой век / Elizabeth: The Golden Age
This is a hell of an excellent criminally underrated soundtrack! The original score was composed by A. R. Rahman and Craig Armstrong. Kapur was thrilled to have both Rahman and Armstrong working together on the music, saying it was fascinating to watch "two people with totally different backgrounds and cultures" interact. Cate Blanchett had travelled to India in the early 2000s, coming away with several Indian sounds, and badgered Kapur to get Rahman to score Hollywood movies. Antonio Pinto was mentioned as being a collaborator during production, but later Armstrong joined the project. In January 2009, he expressed regret that other compositions from A. R. Rahman were not used in the film, feeling that "the score of Golden Age was not half as good as it could have been." He expressed hope to hear these pieces appear in another project.
Highlights: Opening Philip Horseriding Mary's Beheading Storm Closing
"Opening" from the score was used in the BBC's coverage of the Single's Finals at the 2008 Wimbledon Championships. "Storm" is heard in a trailer of the 2013 film Man of Steel.